everything spring, The Honeymoon Suite, 26 October – 18 November 2017
photo by André Piguet
Noriko Nakamura, untitled, 2016
cat hair with white mould, decomposed cat hair with wool moth, limestone
photo by André Piguet
Noriko Nakamura, untitled, 2016
cat hair with white mould, decomposed cat hair with wool moth, limestone
photo by Amy May Stuart
Left to right:
Thea Jones, Tie together (i), 2017
reconstituted eucalyptus leaves, perspex
Virginia Overell, Objective Image, 2017
digital print on metallic paper, polycarbonate canopy
photo by André Piguet
Virginia Overell, Objective Image, 2017
digital print on metallic paper, polycarbonate canopy
photo by André Piguet
Virginia Overell, Objective Image, 2017
digital print on metallic paper, polycarbonate canopy
photo by André Piguet
Virginia Overell, Under the water / the words go on, 2017
digital print on metallic paper, polycarbonate canopy
photo by André Piguet
Virginia Overell, Under the water / the words go on, 2017
digital print on metallic paper, polycarbonate canopy
photo by Amy May Stuart
Virginia Overell, Under the water / the words go on, 2017
digital print on metallic paper, polycarbonate canopy
photo by Amy May Stuart
Thea Jones, Tie together (i), 2017
reconstituted eucalyptus leaves, perspex
photo by André Piguet
Left to right:
Lucreccia Quintanilla, If you close your eyes you might see what is really there – Merri Creek Spring, 2017
sand, weeds, broken iPhone, clay, gouache and sound composition
Virginia Overell, Under the water / the words go on, 2017
digital print on metallic paper, polycarbonate canopy
Thea Jones, Tie together (ii) and Tie together (iii), 2017
reconstituted eucalyptus leaves, perspex
photo by André Piguet
Lucreccia Quintanilla, If you close your eyes you might see what is really there – Merri Creek Spring, 2017
sand, weeds, broken iPhone, clay, gouache and sound composition
photo by Amy May Stuart
Lucreccia Quintanilla, If you close your eyes you might see what is really there – Merri Creek Spring, 2017
sand, weeds, broken iPhone, clay, gouache and sound composition
photo by Amy May Stuart
Left to right:
Ella Sowinska, Tropical Islands, 2016
HD video, 16:44
Noriko Nakamura, Untitled, 2016
cat hair with white mould, decomposed cat hair with wool moth, limestone
Mashara Wachjudy, No place for rain, 2017
inkjet photographic print, bamboo, earthenware clay, oyster shell, rice
photo by André Piguet
Ella Sowinska, Tropical Islands, 2016
HD video, 16:44
photo by André Piguet
Mashara Wachjudy, No place for rain, 2017
inkjet photographic print, bamboo, earthenware clay, oyster shell, rice
photo by André Piguet
Mashara Wachjudy, No place for rain, 2017
inkjet photographic print, bamboo, earthenware clay, oyster shell, rice
photo by Amy May Stuart
Left to right:
Mashara Wachjudy
Column, 2017
inkjet photographic print, bamboo, earthenware clay, rice
Doesn’t matter, 2017
inkjet photographic print, bamboo, earthenware clay, rice
Blanket, 2017
inkjet photographic print, bamboo, earthenware clay, rice
photo by André Piguet
Mashara Wachjudy, Blanket, 2017
inkjet photographic print, bamboo, earthenware clay, rice
photo by André Piguet
everything spring, The Honeymoon Suite, 26 October – 18 November 2017
photo by André Piguet
Noriko Nakamura, untitled, 2016
cat hair with white mould, decomposed cat hair with wool moth, limestone
photo by André Piguet
Noriko Nakamura, untitled, 2016
cat hair with white mould, decomposed cat hair with wool moth, limestone
photo by Amy May Stuart
Left to right:
Thea Jones, Tie together (i), 2017
reconstituted eucalyptus leaves, perspex
Virginia Overell, Objective Image, 2017
digital print on metallic paper, polycarbonate canopy
photo by André Piguet
Virginia Overell, Objective Image, 2017
digital print on metallic paper, polycarbonate canopy
photo by André Piguet
Virginia Overell, Objective Image, 2017
digital print on metallic paper, polycarbonate canopy
photo by André Piguet
Virginia Overell, Under the water / the words go on, 2017
digital print on metallic paper, polycarbonate canopy
photo by André Piguet
Virginia Overell, Under the water / the words go on, 2017
digital print on metallic paper, polycarbonate canopy
photo by Amy May Stuart
Virginia Overell, Under the water / the words go on, 2017
digital print on metallic paper, polycarbonate canopy
photo by Amy May Stuart
Thea Jones, Tie together (i), 2017
reconstituted eucalyptus leaves, perspex
photo by André Piguet
Left to right:
Lucreccia Quintanilla, If you close your eyes you might see what is really there – Merri Creek Spring, 2017
sand, weeds, broken iPhone, clay, gouache and sound composition
Virginia Overell, Under the water / the words go on, 2017
digital print on metallic paper, polycarbonate canopy
Thea Jones, Tie together (ii) and Tie together (iii), 2017
reconstituted eucalyptus leaves, perspex
photo by André Piguet
Lucreccia Quintanilla, If you close your eyes you might see what is really there – Merri Creek Spring, 2017
sand, weeds, broken iPhone, clay, gouache and sound composition
photo by Amy May Stuart
Lucreccia Quintanilla, If you close your eyes you might see what is really there – Merri Creek Spring, 2017
sand, weeds, broken iPhone, clay, gouache and sound composition
photo by Amy May Stuart
Left to right:
Ella Sowinska, Tropical Islands, 2016
HD video, 16:44
Noriko Nakamura, Untitled, 2016
cat hair with white mould, decomposed cat hair with wool moth, limestone
Mashara Wachjudy, No place for rain, 2017
inkjet photographic print, bamboo, earthenware clay, oyster shell, rice
photo by André Piguet
Ella Sowinska, Tropical Islands, 2016
HD video, 16:44
photo by André Piguet
Mashara Wachjudy, No place for rain, 2017
inkjet photographic print, bamboo, earthenware clay, oyster shell, rice
photo by André Piguet
Mashara Wachjudy, No place for rain, 2017
inkjet photographic print, bamboo, earthenware clay, oyster shell, rice
photo by Amy May Stuart
Left to right:
Mashara Wachjudy
Column, 2017
inkjet photographic print, bamboo, earthenware clay, rice
Doesn’t matter, 2017
inkjet photographic print, bamboo, earthenware clay, rice
Blanket, 2017
inkjet photographic print, bamboo, earthenware clay, rice
photo by André Piguet
Mashara Wachjudy, Blanket, 2017
inkjet photographic print, bamboo, earthenware clay, rice
photo by André Piguet