everything spring , The Honeymoon Suite, 26 October – 18 November 2017 photo by André Piguet

everything spring, The Honeymoon Suite, 26 October – 18 November 2017
photo by André Piguet

 Noriko Nakamura,  untitled , 2016 cat hair with white mould, decomposed cat hair with wool moth, limestone photo by André Piguet

Noriko Nakamura, untitled, 2016
cat hair with white mould, decomposed cat hair with wool moth, limestone
photo by André Piguet

 Noriko Nakamura,  untitled , 2016 cat hair with white mould, decomposed cat hair with wool moth, limestone photo by Amy May Stuart

Noriko Nakamura, untitled, 2016
cat hair with white mould, decomposed cat hair with wool moth, limestone
photo by Amy May Stuart

 Left to right: Thea Jones,  Tie together (i) , 2017 reconstituted eucalyptus leaves, perspex Virginia Overell,  Objective Image , 2017 digital print on metallic paper, polycarbonate canopy photo by André Piguet

Left to right:
Thea Jones, Tie together (i), 2017
reconstituted eucalyptus leaves, perspex
Virginia Overell, Objective Image, 2017
digital print on metallic paper, polycarbonate canopy
photo by André Piguet

 Virginia Overell,  Objective Image , 2017 digital print on metallic paper, polycarbonate canopy photo by André Piguet

Virginia Overell, Objective Image, 2017
digital print on metallic paper, polycarbonate canopy
photo by André Piguet

 Virginia Overell,  Objective Image , 2017 digital print on metallic paper, polycarbonate canopy photo by André Piguet

Virginia Overell, Objective Image, 2017
digital print on metallic paper, polycarbonate canopy
photo by André Piguet

 Virginia Overell,  Under the water / the words go on , 2017 digital print on metallic paper, polycarbonate canopy photo by André Piguet

Virginia Overell, Under the water / the words go on, 2017
digital print on metallic paper, polycarbonate canopy
photo by André Piguet

 Virginia Overell,  Under the water / the words go on , 2017 digital print on metallic paper, polycarbonate canopy photo by Amy May Stuart

Virginia Overell, Under the water / the words go on, 2017
digital print on metallic paper, polycarbonate canopy
photo by Amy May Stuart

 Virginia Overell,  Under the water / the words go on , 2017 digital print on metallic paper, polycarbonate canopy photo by Amy May Stuart

Virginia Overell, Under the water / the words go on, 2017
digital print on metallic paper, polycarbonate canopy
photo by Amy May Stuart

 Thea Jones,  Tie together (i) , 2017 reconstituted eucalyptus leaves, perspex photo by André Piguet

Thea Jones, Tie together (i), 2017
reconstituted eucalyptus leaves, perspex
photo by André Piguet

 Left to right: Lucreccia Quintanilla,  If you close your eyes you might see what is really there – Merri Creek Spring , 2017 sand, weeds, broken iPhone, clay, gouache and sound composition Virginia Overell,  Under the water / the words go on , 2017 digital print on metallic paper, polycarbonate canopy Thea Jones,  Tie together (ii)  and  Tie together (iii) , 2017 reconstituted eucalyptus leaves, perspex photo by André Piguet

Left to right:
Lucreccia Quintanilla, If you close your eyes you might see what is really there – Merri Creek Spring, 2017
sand, weeds, broken iPhone, clay, gouache and sound composition
Virginia Overell, Under the water / the words go on, 2017
digital print on metallic paper, polycarbonate canopy
Thea Jones, Tie together (ii) and Tie together (iii), 2017
reconstituted eucalyptus leaves, perspex
photo by André Piguet

 Lucreccia Quintanilla,  If you close your eyes you might see what is really there – Merri Creek Spring , 2017 sand, weeds, broken iPhone, clay, gouache and sound composition photo by Amy May Stuart

Lucreccia Quintanilla, If you close your eyes you might see what is really there – Merri Creek Spring, 2017
sand, weeds, broken iPhone, clay, gouache and sound composition
photo by Amy May Stuart

 Lucreccia Quintanilla,  If you close your eyes you might see what is really there – Merri Creek Spring , 2017 sand, weeds, broken iPhone, clay, gouache and sound composition photo by Amy May Stuart

Lucreccia Quintanilla, If you close your eyes you might see what is really there – Merri Creek Spring, 2017
sand, weeds, broken iPhone, clay, gouache and sound composition
photo by Amy May Stuart

 Left to right: Ella Sowinska,  Tropical Islands , 2016 HD video, 16:44 Noriko Nakamura,  Untitled , 2016 cat hair with white mould, decomposed cat hair with wool moth, limestone Mashara Wachjudy,  No place for rain , 2017 inkjet photographic print, bamboo, earthenware clay, oyster shell, rice photo by André Piguet

Left to right:
Ella Sowinska, Tropical Islands, 2016
HD video, 16:44
Noriko Nakamura, Untitled, 2016
cat hair with white mould, decomposed cat hair with wool moth, limestone
Mashara Wachjudy, No place for rain, 2017
inkjet photographic print, bamboo, earthenware clay, oyster shell, rice
photo by André Piguet

 Ella Sowinska,  Tropical Islands , 2016 HD video, 16:44 photo by André Piguet

Ella Sowinska, Tropical Islands, 2016
HD video, 16:44
photo by André Piguet

 Mashara Wachjudy,  No place for rain , 2017 inkjet photographic print, bamboo, earthenware clay, oyster shell, rice photo by André Piguet

Mashara Wachjudy, No place for rain, 2017
inkjet photographic print, bamboo, earthenware clay, oyster shell, rice
photo by André Piguet

 Mashara Wachjudy,  No place for rain , 2017 inkjet photographic print, bamboo, earthenware clay, oyster shell, rice photo by Amy May Stuart

Mashara Wachjudy, No place for rain, 2017
inkjet photographic print, bamboo, earthenware clay, oyster shell, rice
photo by Amy May Stuart

 Left to right: Mashara Wachjudy   Column , 2017 inkjet photographic print, bamboo, earthenware clay, rice  Doesn’t matter , 2017 inkjet photographic print, bamboo, earthenware clay, rice  Blanket , 2017 inkjet photographic print, bamboo, earthenware clay, rice photo by André Piguet

Left to right:
Mashara Wachjudy
Column, 2017
inkjet photographic print, bamboo, earthenware clay, rice
Doesn’t matter, 2017
inkjet photographic print, bamboo, earthenware clay, rice
Blanket, 2017
inkjet photographic print, bamboo, earthenware clay, rice
photo by André Piguet

 Mashara Wachjudy,  Blanket , 2017 inkjet photographic print, bamboo, earthenware clay, rice photo by André Piguet

Mashara Wachjudy, Blanket, 2017
inkjet photographic print, bamboo, earthenware clay, rice
photo by André Piguet

  everything spring , The Honeymoon Suite, 26 October – 18 November 2017 photo by André Piguet
 Noriko Nakamura,  untitled , 2016 cat hair with white mould, decomposed cat hair with wool moth, limestone photo by André Piguet
 Noriko Nakamura,  untitled , 2016 cat hair with white mould, decomposed cat hair with wool moth, limestone photo by Amy May Stuart
 Left to right: Thea Jones,  Tie together (i) , 2017 reconstituted eucalyptus leaves, perspex Virginia Overell,  Objective Image , 2017 digital print on metallic paper, polycarbonate canopy photo by André Piguet
 Virginia Overell,  Objective Image , 2017 digital print on metallic paper, polycarbonate canopy photo by André Piguet
 Virginia Overell,  Objective Image , 2017 digital print on metallic paper, polycarbonate canopy photo by André Piguet
 Virginia Overell,  Under the water / the words go on , 2017 digital print on metallic paper, polycarbonate canopy photo by André Piguet
 Virginia Overell,  Under the water / the words go on , 2017 digital print on metallic paper, polycarbonate canopy photo by Amy May Stuart
 Virginia Overell,  Under the water / the words go on , 2017 digital print on metallic paper, polycarbonate canopy photo by Amy May Stuart
 Thea Jones,  Tie together (i) , 2017 reconstituted eucalyptus leaves, perspex photo by André Piguet
 Left to right: Lucreccia Quintanilla,  If you close your eyes you might see what is really there – Merri Creek Spring , 2017 sand, weeds, broken iPhone, clay, gouache and sound composition Virginia Overell,  Under the water / the words go on , 2017 digital print on metallic paper, polycarbonate canopy Thea Jones,  Tie together (ii)  and  Tie together (iii) , 2017 reconstituted eucalyptus leaves, perspex photo by André Piguet
 Lucreccia Quintanilla,  If you close your eyes you might see what is really there – Merri Creek Spring , 2017 sand, weeds, broken iPhone, clay, gouache and sound composition photo by Amy May Stuart
 Lucreccia Quintanilla,  If you close your eyes you might see what is really there – Merri Creek Spring , 2017 sand, weeds, broken iPhone, clay, gouache and sound composition photo by Amy May Stuart
 Left to right: Ella Sowinska,  Tropical Islands , 2016 HD video, 16:44 Noriko Nakamura,  Untitled , 2016 cat hair with white mould, decomposed cat hair with wool moth, limestone Mashara Wachjudy,  No place for rain , 2017 inkjet photographic print, bamboo, earthenware clay, oyster shell, rice photo by André Piguet
 Ella Sowinska,  Tropical Islands , 2016 HD video, 16:44 photo by André Piguet
 Mashara Wachjudy,  No place for rain , 2017 inkjet photographic print, bamboo, earthenware clay, oyster shell, rice photo by André Piguet
 Mashara Wachjudy,  No place for rain , 2017 inkjet photographic print, bamboo, earthenware clay, oyster shell, rice photo by Amy May Stuart
 Left to right: Mashara Wachjudy   Column , 2017 inkjet photographic print, bamboo, earthenware clay, rice  Doesn’t matter , 2017 inkjet photographic print, bamboo, earthenware clay, rice  Blanket , 2017 inkjet photographic print, bamboo, earthenware clay, rice photo by André Piguet
 Mashara Wachjudy,  Blanket , 2017 inkjet photographic print, bamboo, earthenware clay, rice photo by André Piguet

everything spring, The Honeymoon Suite, 26 October – 18 November 2017
photo by André Piguet

Noriko Nakamura, untitled, 2016
cat hair with white mould, decomposed cat hair with wool moth, limestone
photo by André Piguet

Noriko Nakamura, untitled, 2016
cat hair with white mould, decomposed cat hair with wool moth, limestone
photo by Amy May Stuart

Left to right:
Thea Jones, Tie together (i), 2017
reconstituted eucalyptus leaves, perspex
Virginia Overell, Objective Image, 2017
digital print on metallic paper, polycarbonate canopy
photo by André Piguet

Virginia Overell, Objective Image, 2017
digital print on metallic paper, polycarbonate canopy
photo by André Piguet

Virginia Overell, Objective Image, 2017
digital print on metallic paper, polycarbonate canopy
photo by André Piguet

Virginia Overell, Under the water / the words go on, 2017
digital print on metallic paper, polycarbonate canopy
photo by André Piguet

Virginia Overell, Under the water / the words go on, 2017
digital print on metallic paper, polycarbonate canopy
photo by Amy May Stuart

Virginia Overell, Under the water / the words go on, 2017
digital print on metallic paper, polycarbonate canopy
photo by Amy May Stuart

Thea Jones, Tie together (i), 2017
reconstituted eucalyptus leaves, perspex
photo by André Piguet

Left to right:
Lucreccia Quintanilla, If you close your eyes you might see what is really there – Merri Creek Spring, 2017
sand, weeds, broken iPhone, clay, gouache and sound composition
Virginia Overell, Under the water / the words go on, 2017
digital print on metallic paper, polycarbonate canopy
Thea Jones, Tie together (ii) and Tie together (iii), 2017
reconstituted eucalyptus leaves, perspex
photo by André Piguet

Lucreccia Quintanilla, If you close your eyes you might see what is really there – Merri Creek Spring, 2017
sand, weeds, broken iPhone, clay, gouache and sound composition
photo by Amy May Stuart

Lucreccia Quintanilla, If you close your eyes you might see what is really there – Merri Creek Spring, 2017
sand, weeds, broken iPhone, clay, gouache and sound composition
photo by Amy May Stuart

Left to right:
Ella Sowinska, Tropical Islands, 2016
HD video, 16:44
Noriko Nakamura, Untitled, 2016
cat hair with white mould, decomposed cat hair with wool moth, limestone
Mashara Wachjudy, No place for rain, 2017
inkjet photographic print, bamboo, earthenware clay, oyster shell, rice
photo by André Piguet

Ella Sowinska, Tropical Islands, 2016
HD video, 16:44
photo by André Piguet

Mashara Wachjudy, No place for rain, 2017
inkjet photographic print, bamboo, earthenware clay, oyster shell, rice
photo by André Piguet

Mashara Wachjudy, No place for rain, 2017
inkjet photographic print, bamboo, earthenware clay, oyster shell, rice
photo by Amy May Stuart

Left to right:
Mashara Wachjudy
Column, 2017
inkjet photographic print, bamboo, earthenware clay, rice
Doesn’t matter, 2017
inkjet photographic print, bamboo, earthenware clay, rice
Blanket, 2017
inkjet photographic print, bamboo, earthenware clay, rice
photo by André Piguet

Mashara Wachjudy, Blanket, 2017
inkjet photographic print, bamboo, earthenware clay, rice
photo by André Piguet

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